2022
Art & Science Fiction. exh. cat., Metz: Centre Pompidou-Metz. Metz: Éditions du Centre Pompidou-Metz, 2022
Exhibition Catalogues & Anthologies
2021
Yinka Shonibare CBE: End of Empire, eds., Thorsten Sadowsky, Marijana Schneider. exh.cat., Salzburg: Museum der Moderne Salzburg, Munich: Hirmer, 2021.
2020
Great World Theatre: 100 Years of the Salzburg Festival, eds. Martin Hochleitner, Margarethe Lasinger. exh. cat., Salzburg: Salzburg Museum. Salzburg: Residenz Verlag, 2020.
2019
Fly Me to the Moon: 50 Years After the Moon Landing. exh. cat., Zurich: Kunsthaus Zürich; Salzburg: Museum der Moderne Salzburg. Cologne: Snoeck, 2019.
Get Up, Stand Up Now: Generations of Black Creative Pioneers, eds., Ceri Hand, Chiedza Mhondoro, Zak Ové. exh. cat., London: Somerset House, 2019.
IncarNations: African Art as Philosophy, ed., Kendell Geers. exh. cat., Brussels: Bozar Centre for Fine Arts. Milan: Silvana editorial, Brussels: Bozar Books, 2019.
The Lie of the Land, eds., Fay Blanchard, Gerrie van Noord, Anthony Spira. exh. cat., Milton Keynes: MK Gallery, 2019.
When Home Won’t Let You Stay: Migration through Contemporary Art, eds. Ruth Erickson, Eva Respini. exh. cat., Boston: ICA Institute of Contemporary Art; Minneapolis: Minneapolis Institute of Arts; Stanford: Iris and Gerald B. Cantor Center for the Visual Arts, Stanford University. New Haven and London: Yale University Press, 2019.
Yinka Shonibare CBE: A Tale of Today. exh. cat., Chicago: The Richard H. Driehaus Museum, 2019.
Yinka Shonibare CBE: Flower Power. exh. cat., Fukukoa: Fukuoka Art Museum. Fukuoka: Fukuokashi bijutsukan, 2019.
14–18 Now: Contemporary Arts Commissions For The First World War Centenary, ed., Angela Koo. London: Profile Books, 2019.
2018
Criminal Ornamentation: Yinka Shonibare MBE. exh. cat., Leicester: Attenborough Arts Centre, et al. London: Hayward Gallery Publishing, Southbank Centre, 2018.
Like Life: Sculpture, Colour, and the Body. exh. cat., New York: The Metropolitan Museum of Art. New Haven/London: Yale University Press, 2018.
Stick to the Skin: African American and Black British Art, 1965–2015, ed., Celeste-Marie Bernier. Oakland: University of California Press, 2018.
Yinka Shonibare MBE: The American Library. exh. cat., Davidson: Van Every/Smith Galleries, Davidson College, 2018.
2017
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World, ed., Joana Maeschner. exh. cat., New Haven: Yale Center for British Art, 2017.
From Life, exh. cat., London: Royal Academy of Arts, 2017.
2016
BODY/PLAY/POLITICS, ed., Otani Kaoruko. exh. cat., Yokohama: Yokohama Museum of Art, 2016.
2015
20 Years: Essays by Stephen Friedman and Sarah Thornton. exh. cat., London: Stephen Friedman Gallery, 2015.
Yinka Shonibare MBE: Wilderness into a Garden. exh. cat., Daegu: Daegu Museum, 2015.
2014
Yinka Shonibare MBE, ed., Rachel Kent. London, New York: Prestel, 2014.
Yinka Shonibare MBE: Egg Fight. exh. cat., Apt: Fondation Blachère, 2014.
Yinka Shonibare MBE: Magic Ladders. exh. cat., Philadelphia: Barnes Foundation, 2014.
2013
Yinka Shonibare MBE: FABRIC-ATION, eds., Sarah Coulson, Clare Lilley. exh. cat., West Bretton: Yorkshire Sculpture Park; Copenhagen: Kunstforeningen GL Strand, 2013.
2012
Art Writing, Nation and Cosmopolitanism in Britain: The ‘Englishness’ of English Art Theory since the Eighteenth Century, ed., Mark A. Cheetham. Farnham: Ashgate, 2012.
The Progress of Love, eds., Kristina van Dyke, Bisi Silva. exh. cat., Lagos: Center for Contemporary Art; Houston: The Menil Collection; St. Louis: Pulitzer Arts Foundation. New Haven: Yale University Press, 2012.
2011
African Textile Patterns, ed., Catherine Carpenter. London: A&C Black, 2011.
El Futuro del Pasado, ed., Octavio Zaya. exh. cat., Madrid: Alcalá 31 Centros de Arte; Las Palmas de Gran Canaria: Centro de Arte Moderno. Madrid: Comunidad de Madrid, 2011.
2010
Before and After Modernism: Byam Shaw, Rex Vicat Cole, Yinka Shonibare, MBE. exh. cat., London: Central Saint Martins College of Art & Design, 2010.
Pattern ID. exh. cat., Akron: Akron Art Museum, 2010.
Yinka Shonibare, MBE: Looking up… exh. cat., Milan: 5 Continents, Monaco: Nouveau Musée National de Monaco, 2010.
2008
Odile and Odette: By Yinka Shonibare, MBE. exh. cat., Atlanta: ACA Gallery of SCAD. Savannah: Savannah College of Art and Design, 2008.
Yinka Shonibare MBE, ed., Rachel Kent. exh. cat., Sydney: Museum of Contemporary Art Australia, et al. Munich, New York: Prestel, 2008.
2006
Acting the Part: Photography as Theatre, ed., Lori Pauli. exh. cat., Ottawa: National Gallery of Canada. London: Merrell, 2006.
A Historic Occasion: Artists Making History, ed., Nato Thompson. exh. cat., North Adams: Massachusetts Museum of Contemporary Art, MASS MoCA, 2006.
Around the World in Eighty Days, eds., Claire Fitzsimmons, et al. exh. cat., London: Institute of Contemporary Arts, South London Gallery, 2006.
Contemporary Commonwealth: presented as part of Festival Melbourne 2006 and the 2006 Commonwealth Games, ed., Charles Green. exh. cat., Melbourne: Australian Centre for the Moving Image, National Gallery of Victoria. Melbourne: Council of Trustees of the National Gallery of Victoria, 2006.
RADAR: Selections from the Collection of Vicki and Kent Logan. exh. cat., Denver: Denver Art Museum, 2006.
Vitamin Ph: New Perspectives in Photography. London, New York: Phaidon, 2006.
2005
A Sense of Place, ed. Tracy L. Adler. exh. cat., Clinton: Ruth and Elmer Wellin Museum of Art, Hamilton College, 2013.
Acting Out: Invented Melodrama in Contemporary Photography. exh. cat., Iowa City: University of Iowa Museum of Art; Purchase: Neuberger Museum of Art, Purchase College, State University of New York. Iowa City: University of Iowa Museum of Art, 2005.
Amselle, Jean-Loup, The Art of a Continent: Essay on Contemporary African Art. Paris: Flammarion, 2005.
Africa Remix: Contemporary Art of a Continent. exh. cat., London: Hayward Gallery, et al. Ostfildern-Ruit: Cantz, 2005.
Shades of Black: Assembling Black Arts in 1980s Britain, eds. David A. Bailey, Ian Baucom, Sonia Boyce. Durham: Duke University Press, 2005.
Contemporary Art for Teachers and other Interested Parties, eds., Karin Malmquist, Matilda Olof-Ors. exh. cat., Stockholm: Moderna Museet. Stockholm: Lärarförbundets förlag, 2005.
2004
Continental Drift: Installations by Ilya Kabakov, Joan Jonas, Juan Muños, Yinka Shonibare. exh. cat., West Palm Beach: Norton Museum of Art, 2004.
Fashination. exh. cat., Stockholm: Moderna Museet, 2004.
Oguibe, Olu. The Culture Game, Minneapolis, London: University of Minnesota Press, 2004.
Turner Prize 2004. exh. cat., London: Tate Britain. London: Tate, 2004.
Yinka Shonibare: Double Dutch, ed., Gerald Matt. exh. cat., Rotterdam: Boijmans van Beuningen Museum; Vienna: Kunsthalle Wien. Rotterdam: NAi Publishers, New York: D.A.P./Distributed Art Publishers, 2004.
2003
Doublures: vêtements de l'art contemporain, ed., Johanne Lamoreux. exh. cat., Québec: Musée national des beaux-arts du Québec, 2003.
Undomesticated Interiors: Photographing Undomesticated Interiors. exh. cat., Northampton: Smith College Museum of Art, 2003.
2002
Attitude 2000: One Truth in Your Heart. exh. cat., Kumamoto: Contemporary Art Museum Kumamoto, 2002.
Double Dress, eds. Suzanne Landau, Jean Fisher. exh. cat., Jerusalem: Israel Museum; Helsinki: The Museum of Contemporary Art Kiasma; Milan: Padiglione d’Arte Contemporanea. Jerusalem: Israel Museum, 2002.
Yinka Shonibare, ed. Christine Y. Kim. exh. cat., New York: Studio Museum in Harlem, 2002.
Yinka Shonibare: The Peter Norton family Christmas project 2002. Santa Monica: Peter Norton Family, 2002.
2001
Authentic/Ex-centric: Conceptualism in Contemporary African Art, eds., Salah M. Hassan, Olu Oguibe. exh. cat., Venice: Palazzo Giustinian Lolin, 49. Biennale di Venezia. New York: Ithaca, NY, Forum for African Arts, 2001.
Bo01: catalogue. 2, Vision: art exhibitions. exh. cat., Malmö: European Housing Expo. Malmö: Bo01, 2001.
Give and Take: 1 Exhibition 2 Sites, ed., Leigh Markopoulos. exh. cat., London: Serpentine Gallery; Victoria and Albert Museum. London: Serpentine Gallery, 2001.
Technology and Culture, ed., Oladélé Ajiboyé Bamgboyé. Witte de With Center for Contemporary Art. exh. cat., Rotterdam: Witte de With Center for Contemporary Art, 2001.
The Short Century: Independence and Liberation Movements in Africa 1945–1994, ed. Okwui Enwezor. exh. cat., Munich: Museum Villa Stuck, et al. Munich, New York: Prestel, 2001.
Unpacking Europe: Towards a Critical Reading, eds., Salah and Iftikhar Dad. Rotterdam: Museum Boijmans Van Beuningen. Rotterdam: NAi Publishers, 2001.
Vantage Point: Ernesto Neto, Rob Pruitt, Michael Raedecker, Daniel Richter, Ugo Rondinone, Yinka Shonibare, ed., Brenda McParland. exh. cat., Dublin: Irish Museum of Modern Art, 2001.
Yinka Shonibare. exh. cat., Pittsburgh: The Andy Warhol Museum, 2001.
Yinka Shonibare. exh. cat., Johannesburg: Camouflage, Centre of Contemporary Art of Southern Africa. Brussels: Coartnews, 2001.
Yinka Shonibare: Be-muse. exh. cat., Rome: Museo Hendrik Christian Andersen. Rome: Ministero Attivita Culturali, 2001.
2000
Intelligence: New British Art 2000. exh. cat., London: Tate Britain, 2000. London: Tate Publishing, 2000.
South Meets West. exh. cat., Accra: National Museum of Accra; Bern: Kunsthalle Bern, Historisches Museum Bern. Bern: Kunsthalle Bern, 2000.
1999
Heaven: An Exhibition That Will Break Your Heart, eds. Doreet Le Vitte-Harten and Sylvie Blocher. exh. cat., Düsseldorf: Kunsthalle Düsseldorf; Liverpool: Tate Liverpool, 1999. Ostfildern-Ruit: Hantje Cantz, 1999.
Mirror’s Edge. exh. cat., Umeå: Bildmuseet, et al. Umeå: Bildmuseet, 1999.
The Citibank Private Bank Photography Prize 1999. exh. cat., London: Photographers’ Gallery, 1999.
Yinka Shonibare: Dressing Down. exh. cat., Birmingham: Ikon Gallery, et al. Birmingham: Ikon Gallery, Oslo: Henie Onstad kunstsenter, 1999.
1998
Crossings. exh. cat., Ottawa: National Gallery of Canada, 1998.
Eclectic flavour: Joy Gregory, Roshini Kempado, Addela Khan, Franklyn Rodgers, Yinka Shonibare. exh. cat., Syracuse: Robert B. Menschel Photography Gallery, Syracuse University. Syracuse: Light Work, 1998.
Personal Effects: Sculpture and Belongings. exh. cat., Exeter: Spacex Gallery; Nottingham: Angel Row Gallery. Exeter: Spacex Gallery, 1998.
Secret Victorians: Contemporary Artists and a 19th-Century Vision: Arts Council Touring Exhibition. exh. cat., Colchester: The Minorities Art Gallery, et al. London: Hayward Gallery, 1998.
Sensation: Young British Art from the Saatchi Collection, ed. Royal Academy of Arts. exh. cat., London: Royal Academy of Arts; Berlin: Hamburger Bahnhof, Museum für Gegenwart; New York: Brooklyn Museum of Art. London: Thames and Hudson, 1998.
Transatlantic: Dissemination, Crossing and Deterritorialization. exh. cat., Las Palmas de Gran Canaria: Centro Atlántico de Arte Moderno, Cabildo de Gran Canaria, 1998.
1997
Inclusion: Exclusion: Attempting a New Cartography of Art in the Age of Post-Colonialism and Global Migration, ed., Peter Weibel. exh. cat., Graz: steirischer herbst. Cologne: Dumont Buchverlag, 1997.
Pictura Britannica: Art from Britain, ed., Bernice Murphy. exh. cat., Sydney: Museum of Contemporary Art; Adelaide: Art Gallery of South Australia, Wellington: Museum of New Zealand / Te Papa Tongarewa. Sydney: Museum of Contemporary Art, 1997.
Trade Routes: History and Geography, 2nd Johannesburg Biennale. exh. cat., Johannesburg: Greater Johannesburg Metropolitan Council; Den Haag: Prince Claus Fund for Culture and Development, 1997.
Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966–1996, ed., Mora J. Beauchamp-Byrd. exh. cat., New York: Studio Museum in Harlem; The Bronx Museum of the Arts. New York: Franklin H. Williams Caribbean Cultural Center/African Diaspora Institute, 1997.
What. exh. cat., London: Trinity Buoy Wharf, 1997.
1996
Annotations 1: Mixed Belongings and Unspecified Destinations, ed., Nikos Papastergiadis. London: Institute of International Visual Arts, 1996.
Discreet Charm: Yinka Shonibare and Kate Smith. exh. cat., Liverpool: Croxteth Hall. Liverpool: Visionfest, 1996.
Jurassic Technologies Revenant, ed., Lynne Cooke. exh. cat., Sydney: 10. Biennale of Sydney, 1996.
Out of Order: 1996. exh. cat., London: Independent Art Space. London: London Arts Board, 1996.
1995
Imagined Communities. exh. cat., Oldham: Oldham Art Gallery, et al. London: National Touring Exhibitions, 1995.
The Art of African Textiles: Technology, Tradition and Lurex. exh. cat., London: Barbican Art Gallery. London: Lund Humphries Publishers, 1995.
1994
Seen/unseen, ed. Uzo Egonu. exh. cat., Liverpool: Bluecoat Gallery, 1994.
1992
Barclays Young Artists Award 1992. exh. cat., London: Serpentine Gallery, 1992.
Periodicals
2022
'Yinka Shonibare Just Opened an Ambitious, Years-in-the-Making Residency Program for Artists in Nigeria', in: Artnet News, online, 02.03.22.
Angeleti, Gabriella, ‘Yinka Shonibare Unveils Project Focused on The Great Migration’, in: The Art Newspaper, online, 23.02.22.
John, Evan, ‘Black Artists Highlight How the Trauma of Empire Still Echoes in Britain’, in: CNN Style, online, 25.01.22.
2021
‘My Cultural Life: Yinka Shonibare’, in: Elle Decoration (November 2021): 43.
McLean, Matthew, ‘How Yinka Shonibare is Helping Invigorate Diversity in the Arts’, in: Frieze, online, 3.10.21.
Lee, Helena, ‘Creative Forces’, in: Harper’s Bazaar (October 2021): 112.
Gronlund, Melissa, ‘British Artist Yinka Shonibare’s Expo 2020 Dubai Sculpture Tells the Story of Colonialism’, in: The National News (UAE), online, 26.9.21.
Jones, Jonathan, ‘This Has Never Been So Much Fun: Royal Academy Summer Exhibition Review’, in: The Guardian, online, 16.9.21.
Luke, Ben, ‘Royal Academy Summer Exhibition 2021 Review: Exuberance Abounds’, in: The Evening Standard, online, 16.9.21.
Campbell-Johnston, ‘Summer Exhibition Review: The Royal Academy Celebrates Ingenuity and Optimism’, in: The Times, online, 15.9.21.
Sooke, Alastair, ‘Royal Academy Summer Exhibition 2021 Review: A Bold and Refreshing Takeover’, in: The Telegraph, online, 15.9.21.
‘Don’t Care What People Think. As Artists, We Have to Express Ourselves: Yinka Ilori in Conversation with Yinka Shonibare’, in: It’s Nice That, online, 29.6.2021.
Jones, Jonathan, ‘Cultural Appropriation is a Two-way Street: Yinka Shonibare on Picasso, Masks and the Fashion for Black Artists’, in: The Guardian, online, 14.6.21.
Campbell-Johnston, Rachel, ‘UnNatural History Review — A Fascinating Consideration of Art’s Relationship with the Environment’, in: The Times, online, 26.5.2021.
Buck, Louisa, ‘Yinka Shonibare, An Art Icon with a Sardonic Twist, in: The Art Newspaper, online, 5.5.2021.
Péus, Camilla, ‘Wrong World’, in: Ideat, Contemporary Life (May-June 2021): 24-27.
Lewis, Tim, ‘Yinka Shonibare: You Don’t Want the Next Generation to be Full of Hate’, in: The Observer, 28.3.2021: 7.
Campbell-Johnston, ‘From Ships in Bottles to Dress-Up Fantasies: Britain’s New Art Icon’, in: The Times, 20.3.2021: 8–9.
Roux, Caroline, ‘All a Question of Power’, in: The Financial Times, 20-21.2.2021: 13.
Bakare, Lanre, ‘Yinka Shonibare to Create Leeds Memorial for Nigerian Who Died After Police Harassment in 1960s’, in: The Guardian, online, 5.1.2021.
2020
Abrams, Amah-Rose, ‘So We’re Bringing Down Statues – But What Kind of Monuments Would We Like to See Instead?’, in: The Art Newspaper, online, 24.7.2020.
Gombertz, Will, ‘How UK Museums Are Responding to Black Lives Matter’, in: BBC, online, 29.6.2020.
Harvey, Chris, ‘Yinka Shonibare Interview: ‘No Amount of Money Can Compensate for the Damage Done by Slavery”, in: The Telegraph, online, 29.6.2020.
Ebert, Grace, ‘Globes and Astronaut Helmets Form Heads of Figurative Sculptures by Yinka Shonibare CBE’, in: Colossal, online, 4.6.2020.
Reilly, Samuel, ‘History Repeats’, in: Apollo (April 2020): 42.
‘Yinka Shonibare: I See What’s Happening as An African Renaissance’, in: The Guardian, online, 13.1.2020.
‘G.A.S. Foundation: Yinka Shonibare Announces New Artist Residency in Nigeria’, in: Contemporary And (C&), online, 9.1.2020.
2019
Rodney, Seph, ‘Imagining Utopia, Just Over the Horizon’, in: Hyperallergic, online, 4.12.2019.
Figes, Lydia, ‘On Sculpture, Elitism and Brexit: The Art of Yinka Shonibare’, in: Art UK, online, 30.9.2019.
Rodney, Seph, ‘Yinka Shonibare Restages the Trauma of the Gilded Age’, in: Hyperallergic, online, 26.4.2019.
Dodson, Jewels, ‘Yinka Shonibare Explores Immigration & Personal Narrative’, in: Cultured Magazine, online, 1.4.2019.
Watts, Michael, ‘Prints Charming’, in: Christie’s Magazine (February–March 2019): 106–115.
Parsons, Elly, ‘Yinka Shonibare’s Stirring New Textile Works Put Hereford on The Map’, in: Wallpaper*, online, 25.1.2019.
2018
Brennan, Ailis, ‘Tacita Dean, Yinka Shonibare and Gillian Wearing awarded New Year’s Honours 2019’, in: Evening Standard, online, 28.12.2018.
Schreiber, Barbara, ‘Shonibare’s ‘American Library’ at Davidson Is Uplifting Art for Perilous Times’, in: The Charlotte Observer, online, 30.11.2018.
Dalati, Sammy, ‘Contemporary Art Confronts the Gilded Age at the Driehaus’, in: The Magazine Antiques, online, 14.11.2018.
Hawbaker, KT, ‘Contemporary Art by People of Color Will Explore Beauty and Inequality at the Driehaus Museum’, in: Chicago Tribune, online, 14.11.2018.
Rab, Lisa, ‘Can this Abstract Sculpture Spur Davidson Students to Wrestle with Tough Questions?’, in: The Charlotte Observer, online, 7.11.2018.
Moloi, Nkgopoleng, ‘In Conversation with Yinka Shonibare MBE: Metaphors for Humanity’, in: Contemporary And (C&), online, 18.9.2018.
Stevens, Nolan, ‘Unbottling the Artist: Nolan Stevens in Conversation with Yinka Shonibare MBE’, in: artafrica, online, 23.8.2018.
Valentine, Victoria A., ‘Yinka Shonibare Wrapped more than 200 Books in African Textiles, His ‘American Library’ Is Designed to Start a Conversation About Immigration’, in: Culture Type, online, 7.8.2018.
Greer, Bonnie, ‘Yinka Shonibare on his New Show Celebrating African Art: ‘Some Kind of Global African Solidarity Is Necessary”, in: The Independent, online, 14.6.2018.
Greer, Bonnie, “It’s time for African Resistance’, This Artist Says’, in: The New York Times, online, 12.6.2018.
O’ Kelly, Emma, ‘Yinka Shonibare Steps into the Curator’s Seat with a Sharp Survey of African Art’, in: Wallpaper*, online, 7.6.2018.
Luke, Ben, ‘Black Is Not a Colour Anymore’, in: Evening Standard, 6.6.2018.
Okoh, Lize, ‘Understanding the World of Artist Yinka Shonibare’, in: The Culture Trip, online, 28.5.2018.
Holmes, Jessica, “I’m the Opposite of Donald Trump’: Yinks Shonibare on his New Public Sculpture in NYC’, in: Hyperallergic, online, 27.3.2018.
Dickson, Andrew, ‘Buy a Masterpiece for 67p! New Stamps by Tracey Emin, Yinka Shonibare, Grayson Perry and More’, in: The Guardian, online, 23.5.2018.
Sayej, Nadja, ‘Yinka Shonibare: Behind the Artist’s New Central Park Sculpture’, in: The Guardian, online, 8.3.2018.
Felsenthal, Julia, ‘Yinka Shonibare’s Alternative Monuments Arrive in Central Park’, in: Vogue, online, 6.3.2018.
Stapley-Brown, Victoria, ‘Yinka Shonibare: A Change in the Wind’, in The Art Newspaper, online, 5.3.2018.
Kastner, Jeffrey, ‘Yinka Shonibare MBE Talks About Wind Sculpture (SG) I, His Forthcoming Project with The Public Art Fund in New York’, in Artforum, vol. 46, no. 7 (March 2018): 182–185.
Pes, Javier, “It is the Story of America’: Yinka Shonibare on Planting a Dazzling Pro-Immigrant Statement Blocks From Trump Tower’, in: Artnet News, online, 23.2.2018.
Sulcas, Roselyn, ‘Inside Yinka Shonibare’s East London Studio’, in: Galerie Magazine, online, (spring 2018).
2017
Fitch Little, Harriet, ‘Yinka Shonibare: ‘I Don’t Believe in Putting up Borders”, in: Financial Times, online, 8.12.2017.
Matovu, Rovianne, ‘Yinka Shonibare: Poetic, Political Artist’, in: Art UK, online, 9.10.2017.
Banks, Patricia A., ‘Sotheby’s Modern & Contemporary African Art Sale: Fluid Categories’, in: Contemporary And (C&), online, 25.5.2017.
Obenson, Tambay, ‘Defining ‘Blackness’ Series: Artist Yinka Shonibare Addresses *Authenticity* in Black Art’, in: Shadow and Act, online, 20.4.2017.
Ayers, Paul, ‘For Yinka Shonibare, Possession Is a Function of Economic and Social Class’, in: ArtNews, online, 22.3.2017.
Clemence, Paul, ‘Art Walls’, in: Modern Magazine, online, 16.3.2017.
Cascone, Sarah, ‘Gallery Hopping: A Powerful Pro-Immigrant Message in Yinka Shonibare’s ‘British Library”, in: Artnet News, online, 14.3.2017.
Morgan, Robert C., ‘Yinka Shonibare MBE Navigates Prejudice and Dual Identity’, in: Hyperallergic, online, 13.3.2017.
Lesser, Casey and Demi Kim, ‘The 20 Shows You Need to See During Armory Week’, in: Artsy, online, 25.2.2017.
Gosh, Sarbani, ‘11 Gallery and Museum Shows Across the Country to See in Honor of Black History Month’, in: Artnet News, online, 10.2.2017.
Jagoe, Rebecca, ‘Colonialism and Cultural Hybridity: An Interview with Yinka Shonibare, MBE’, in: The Culture Trip, online, 13.1.2017.
2016
Bukola, Oye, ‘2016 in Review: The Year in Art for Nigeria and Africa: Our Author Bukola Oye Looks Back at the Highlights from the Past 12 Months...’, in: Contemporary And (C&), online, 21.12.2016.
Beuajon, Andrew, ‘The National Museum of African Art is About to Have an Amazing Sculpture Outside’, in: Washingtonian, online, 11.11.2016.
Sesay, Nadia, ‘What Exactly Is ‘African Art’?’, in: Contemporary And (C&), online, 1.11.2016.
Tran, John L., ‘Opposing Today’s Rising Intolerance’, in: The Japan Times, online, 1.11.2016.
Sesay, Nadia, ‘A Conversation with Ato Malinda and Yinka Shonibare MBE on Exploring Identity in African Art’, in: okayafrica, online, 28.10.2016.
Olivennes, Hannah, ‘Art as a Means of Fighting Prejudice’, in: The New York Times, online, 6.10.2016.
Purseglove, Laura, ‘8 Artist-Run Galleries Breaking New Ground in London’, in: Artsy, online, 6.10.2016.
Law, Katie, ‘Artist Yinka Shonibare on Pushing the Boundaries of Art and a New Fashion for Building Walls’, in: The Evening Standard, online, 22.9.2016.
Van der Watt, Liese, ‘Review: Making and Unmaking: A Riot of Colour, Pattern and Repetition’, in: Contemporary And (C&), online, 3.8.2016.
Hawksley, Rupert, ‘Yinka Shonibare: In the Studio’, in: The Telegraph, online, 7.6.2016.
Jackson, James, ‘A New Exhibit Explores How We Experience Time’, in: Washingtonian, online, 18.5.2016.
Jones, Jonathan, ‘Radical or Retrogade? Yinka Shonibare Can’t Redeem the Royal Academy’, in: The Guardian, online, 18.5.2016.
Tipton, Gemma, ‘Yinka Shonibare: ‘I thought I Was a Republican until I Went to Buckingham Palace’’, in: The Irish Times, online, 12.5.2016.
Black, Paul, ‘Yinka Shonibare: End of Empire, Conflict and Dominion at Turner Contemporary’, in: Artlyst, online, 31.3.2016.
Dunn, Connor, ‘Margate: Turner Contemporary Unveils Latest Work by Yinka Shonibare Called End of Empire Alongside The British Library’, in: Kent Online, 23.3.2016.
Maddocks, Fiona, ‘In the Studio with Yinka Shonibare RA’, in: RA Magazine, online, 29.2.2016.
Dunne, Aidan, ‘Visual Art Round-up: Yinka Shonibare’s Headless Mannequins’, in: The Irish Times, online, 23.2.2016.
Dickie, Anna, ‘Yinka Shonibare (MBE, RA) at Pearl Lam Galleries, Singapore’, in: Ocula, online, 2.2.2016.
Seow, Bernice and June Siu, ‘Yinka Shonibare Revisits Childhood Memories in Singapore Showcase’, in: Popspoken, online, 27.1.2016.
Lijie, Huang, ‘Art Titans: Yinka Shonibare’, in: The Straits Times, online, 19.1.2016.
2015
Battersby, Mathilda, ‘Yinka Shonibare Interview: The Migrant Crisis Makes Me Want to Make More Beautiful Things', in: The Independent, online, 29.10.2015.
Sullivan, Robert, ‘Go See Yinka Shonibare at the Morris-Jumel Mansion This Weekend’, in: The New Yorker, online, 29.8.2015.
Diaz, Natalie, ‘A Picture and A Poem: Of Darkness and Light’, in: The New York Times Style Magazine, online, 14.7.2015.
Vermeer, Johanna, ‘Yinka Shonibare MBE at the Morris-Jumel Mansion’, in: Harlem World Magazine, online, 29.6.2015.
O’Toole, Sean, ‘Venice Biennale 2015: Africa From Afar’, in: Contemporary And (C&), online, 29.5.2015.
Meier, Allison, ‘Yinka Shonibare MBE Manifests the Ghost of Manhattan’s Oldest House’, in: Hyperallergic, online, 6.5.2015.
Delson, Susan, ‘Eliza Jumel’s Ghost Shows Up in ‘Yinka Shonibare MBE: Colonial Arrangements”, in: The Wall Street Journal, online, 30.4.2015.
Frankel, Eddy, ‘B(w)anking on It’, in: Time Out London, 12.3.2015: 51.
Jones, Jonathan, ‘Yinka Shonibare’s Sculptures Land in London – The Week in Art’, in: The Guardian Art Weekly, online, 8.3.2015.
Jones, Jonathan, ‘Shoot to Thrill’, in: The Guardian G2, 4.3.2015: 16–18.
Lassus, Priscille de, ‘Prints and Painted Touiles’, in: Métiers d'art, (March–May 2015).
Pearman, Hugh, ‚‘Everything’s Just Dandy’, in The Sunday Times Culture (March 2015): 10.
Duguid, Hannah, ‘Yinka Shonibare: Class Act with a Dash of Gallows Humour’, in: The Independent, 23.2.2013: 4.
Morris, Christopher, ‘Figaro Dances, Opera Dances: Response to Rebecca Schneider’, in: The Opera Quarterly, vol. 31, no. 3 (2015): 170–175.
Schneider, Rebecca, ‘Gesture to Opera: Yinka Shonibare’s Un Ballo in Maschera’, in: The Opera Quarterly, vol. 31, no. 3 (2015): 155–169.
2014
Goldstein, Andrew M., ‘Yinka Shonibare MBE on Art, Africa, and Why He’s so Fond of the Queen’, in: ARTspace, online, 20.12.2014.
Müller, Bernhard, ‘Yinka Shonibare MBE’s ‘Garden of Love’ (Musée du quai Branly, Paris, 2007)', in: Museum Geographies, online, 25.8.2014.
Kuiper, Kathleen, ‘Yinka Shonibare: British Artist’, in: Encyclopedia Britannica, online, 14.6.2014.
Joyce Court, Elsbeth, ‘Nelson’s Ship in a Bottle’, in: African Arts, vol. 47, no. 2 (summer 2014): 86–90.
Kedves, Jan, ‘Yinka Shonibare MBE’, in: frieze, online, 13.5.2014.
2013
Momodu, Loren Hansi, ‘Looking Back I: Authentic/Ex-Centric: Africa In and Out of Africa, 2001’, in: Contemporary And (C&), online, 28.5.2013.
Allfree, Claire, ‘Yinka Shonibare: The Bansky of Sculpture on his Split Personality’, in: Metro, online, 28.2.2013.
Lemu, Massa, ‘Massa Lemu About the Exhibition ‘The Progress of Love’: What Part of Love Is Universal?’, in: Contemporary And (C&), online, 14.2.2013.
Westall, Mark, ‘Preview: Yinka Shonibare POP!’, in: FAD Magazine, online, 13.2.2013.
2012
Moss, Abigail, ‘Deloitte Ignite at the Royal Opera House – Curated by Yinka Shonibare’, in: The Upcoming, online, 4.9.2012.
Walters, John L., ‘Deloitte Ignite Africa Weekend – Review’, in: The Guardian, online, 2.9.2012.
Ossei-Mensah, Larry and Carinya Sharples, ‘Freedom Fighter’, in: Arise Magazine (August 2012): 107–109.
Wright, Karen, ‘In the Studio: Yinka Shonibare, Artist’, in: The Independent, online, 23.6.2012.
Sack, Emily, ‘Yinka Shonibare New Ballerina Sculpture Debuts at Opera House’, in: Artlyst, online, 26.6.2012.
Rainforth, Dylan, ‘Review: Invasion, Escape; Aliens Do it Right!’, in: Art Guide Australia, online, 25.6.2012.
Kennedy, Maev, ‘In a World of Her Own: Curtain up on Ballerina Artwork’, in: The Guardian, 19.6.2012.
Dow, Steve, ‘The Truth Is out there: Artist Yinka Shonibare Delivers a Serious Message with Wit and Whimsy’, in: The Canberra Times, online, 16.6.2012.
Pena, Anne Marie, ‘Yinka Shonibare, MBE: A Terrible Beauty: Politics, Sex and the Decline of Empires’, in: C Magazine, no. 114 (summer 2012).
Pollock, Barbara, ‘Arthur Solway: Bringing the West to the East’, in: Artnet, online, 22.5.2012.
Brown, Mark, ‘Yinka’s Ship Goes on Permanent Display in Greenwich’, in: The Guardian, online, 23.4.2012.
Güner, Fisun, ‘Cotton: Global Threads, Whitworth Art Gallery’, in: The Arts Desk, online, 23.4.2012.
Hunt, Jem, ‘Yinka Shonibare: Nelson’s Ship in a Bottle’, in: Art & Architecture Journal, online, 27.2.2012.
Politanoff, Evelyne, ‘Yinka Shonibare MBE: Addio del Passato’, in: The Huffington Post, online, 28.2.2012.
Scheifele, Kris, ‘Yinka Shonibare MBE: Post-Colonial Mixologist’, in: Art Critical, online, 26.2.2012.
Massie, Alex, ‘British Sailors for British Ships!’, in: The Spectator, online, 21.2.2012.
Kellaway, Kate, ‘Yinka Shonibare: ‘Your World Could Come Crashing Down at any Time”, in: The Observer, online, 19.2.2012.
Hazard, Ruth, ‘COTTON: Global Threads Arrive at the Whitworth Art Gallery in Manchester’, in: Culture 24, online, 14.2.2012.
Finerty, Katherine,’Yinka Shonibare’s Message in a Bottle: Hybrid Citizen Ship’, in: Studio Museum, online, 13.2.2012.
2011
Spann, Maria, ‘My Space: Yinka Shonibare, Artist, Tells Us How and Where He Works’, in: The Times, online, 10.12.2011.
Singh, Anita, ‘Museum Campaign to Buy Nelson’s Ship in a Bottle’, in: The Telegraph, online, 1.12.2011.
Jury, Louise, ‘Setting Sail Again’, in: London Evening Standard, online, 30.11.2011.
Kennedy, Maev, ‘Message in a Big Bottle – Appeal to Save Fourth Plinth HMS Victory’, in: The Guardian, online, 30.11.2011.
Shaw, Anny, ‘Flags of Freedom’, in: The Art Newspaper Art Basel Daily Edition, 14.6.2010: 10.
Wallis, William, ‘Anger as Black Artist’s Pieces Held’, in: The Financial Times, 28.5.2010: 6.
Alakam, Japhet, ‘Art-Inculating Yinka Shonibare’s Hope in Hopelessness’, in: Vanguard, online, 1.5.2011.
Greenstreet, Rosanna, ‘Q&A: Yinka Shonibare’, in: The Guardian, online, 30.4.2011.
Coxhead, Gabriel, ‘Exhibition of The Week’, in: Time Out, 7.–3.4.2011: 52.
Shaw, Anny, ‘Yinka Shonibare Fires all Cannons in Madrid’, in: The Art Newspaper, 15.3.2011.
Adamson, Glen, ‘Issues/Commentary: Tsunami Africa’, in: Art in America (March 2011): 67–72.
Jarque, Fietta, ‘As an Artist,You Have to Be the Best’, in: El Pais, 5.2.2011: 17–18.
Alvarado, Esther, ‘A Year of Exhibitions’, in: Madrid Press (February 2011): 155.
2010
Sontag, Deborah, ‘Shonibare the Flamboyant’, in: Courrier International, no. 1049, 9.–15.12.2010: 67.
David, Ariel, ‘Linking the Past and the Present Through Art’, in: The New York Times, online, 7.9.2010.
Sheets, Hilarie, ‘The New Jerusalem: Israel Museum Reopens’, in: artcritical, online, 17.8.2010.
Shaw, Anny, ‘Flags of Freedom’, in: The Art Newspaper Art Basel Daily Edition, 14.6.2010: 10.
Sewell, Brian, ‘Oh, No! It’s the Royal Academy’s Summer Exhibition’, in: The Evening Standard, online, 10.6.2010.
Mirza, Munira, ‘Do Black Artists Need Special Treatment?’, in: The Guardian, online, 25.5.2010.
Gompertz, Will, ‘The Stories of Nelson's Ship in a Bottle’, in: BBC, online, 24.5.2010.
Deane, Craig, ‘Message in a Bottle’, in: Time Out London, 20.–26.5.2010: 40–41.
Blunden, Mark, ‘Nelson Descendant Welcomes Victory’s Berth on Fourth Plinth’, in: Evening Standard, online, 20.5.2010.
Gayford, Martin, ‘Fourth Plinth: Yinka Shonibare Interview’, in: The Daily Telegraph, 19.5.2010.
Ward, Ossian, ‘The Fourth Plinth’, in: Time Out London, online, 13.5.2010.
Ex, Nicole, ‘Yinka Shonibare MBE’, in: Holland Diep (May–June 2010): 86–87.
Hayward, Rachel, ‘Yinka Shonibare’s Nelson’s Ship in a Bottle on Fourth Plinth, Trafalgar Square’, in: Culture 24, online, 9.3.2010.
Wullschlager, Jackie, ‘Afro Modern in Tate Liverpool’, in: The Financial Times, online, 2.2.2010.
Baran, Jessica, ‘Yinka Shonibare: Mother and Father Worked Hard so I Can Play’, in: Riverfront Times, online, 20.1.2010.
Bischoff, Dan, ‘Post-colonial Party Time’, in: FiberArts (January–February 2010): 38–42.
Milliard, Coline, ‘Yinka Shonibare MBE: Same but Different’, in: Catalogue, no. 1 (2010).
2009
Dawson, Jessica, ‘Yinka Shonibare, Skewing History with His Images’, in: The Washington Post, 20.11.2009.
Judkis, Maura, ‘Yinka Shonibare MBE: ‘As Artists, We Are Liars”, in: Washington City Paper, online, 13.11.2009.
Geldard, Rebecca, ‘Yinka Shonibare MBE’, in: Time Out, online, 6.11.2009.
Lacayo, Richard, ‘Decaptivating’, in: TIME Magazine, vol. 173, no. 26 (6.11.2009).
Lewis, Sarah, ‘Yinka Shonibare MBE: Brooklyn Museum, New York’ in: Artforum, Bd./vol. 48, no. 2 (October 2009): 227.
Birrell, Ellen, ‘Yinka Shonibare, MBE: A Flying Machine for Every Man, Woman and Child and Other Astonishing Works’, in: X-tra, vol. 12, no. 1 (fall 2009).
Cole, Teju, ‘Shonibare’s Fantasies of Empowerment’, in: 234next.com, online, 10.7.2009.
Genocchio, Benjamin, ‘The Rich Were Different (and Perhaps Still Are)’, in: The New York Times, online, 10.7.2009.
Hoffman, Barbara, ‘Headless Bods: Tops’, in: New York Post, online, 10.7.2009.
Rosenberg, Karen, ‘Fashions of a Postcolonial Provocateur’, in: The New York Times, online, 3.7.2009.
Olowu, Duro, ‘Duro Olowu Appraises the Brooklyn Museum’s Yinka Shonibare Exhibition’, in: Vogue.com, online, 2.7.2009.
Ashman, Angela, ‘Different Worlds’, in: The Village Voice, online, 24.6.2009.
Sontag, Deborah, ‘Headless Bodies from Bottomless Imagination’, in: The New York Times, online, 17.6.2009.
Bergman, Amerie, ‘Yinka Shonibare MBE @ Museum of Contemporary Art’, in: Whitehot Magazine of Contemporary Art, online (June 2009).
Knight, Christopher, ‘Review: Yinka Shonibare at Santa Barbara Museum of Art’, in: The LA Times, online, 6.4.2009.
Hunter, Alice, ‘Encountering Excess’, in: Art of UK, no. 56 (April 2009): 32–35.
Jeno, Heather, ‘Hip, British-Born Artist’s Show Ushers in a New Era at SBMA’, in: The Santa Barbara Independent, online, 31.3.2009.
Pote, Mariana, ‘African Art? Yinka Shonibare Steps Between the Real and Imagined’, in: Seven, 24.2.2009.
Barnett, Laura, ‘Interview’, in: The Guardian G2, 27.1.2009.
McLaughlin, Mike, ‘Yinka Shonibare at Brooklyn Museum Blows Away Art World’, in: Huffington Post, online, 9.1.2009.
2008
Mullan, Kelly, ‘An Artist with a lot of Bottle’, in: Disability Now Magazine, no. 14 (December 2008): 66–67.
Crow, Kelly, ‘Family Flies into Museum’, in: The Wall Street Journal, 25.11.2008: 2.
Schwartzkoff, Louise, ‘MCA Fortunes Wax with Works by a Citizen of the World’, in: The Sunday Morning Herald, 25.9.2008: 16.
Holmes, Pernilla and Stephen Wallis, ‘The Frieze Generation’, in: Departures (September 2008): 241.
Toms, Katie, ‘Message in a Giant Bottle: Interview’, in: The Observer, 29.6.2008.
Sandison, David, ‘Yinka Shonibare: The Battle of Trafalgar’, in: The Independent, online, 24.6.2008.
Brooks, Richard, ‘Fame up for Grabs in Trafalgar Square’, in: The Sunday Times, 22.6.2008: 5.
Hirsh, Faye, ‘Yinka Shonibare at James Cohan’, in: Art in America’, in: vol. 96, no. 6 (June–July 2008): 189.
Wyndham, Constance, ‘In the Studio: Yinka Shonibare, MBE’, in: Art+Auction (February 2008): 54–58.
Ward, Ossian, ‘Interview’, in: Time Out (January 2008): 3–10.
2007
Greer, Bonnie, ‘Young, Gifted and Black: Meet Britain’s Rising Stars’, in: The Independent on Sunday, online, 4.11.2007.
Jones, Ronald, ‘Yinka Shonibare: Musée du quai Branly’, in: Artforum, vol. 46, no. 2 (October 2007): 383.
Vetrocq, Marcia E., ‘The Venice Biennale, all’americana’, in: Art in America, no. 8 (September 2007): 136–147, 179.
Hemmings, Jessica, ‘Post Cultural Hybrid’, in: Surface Design, vol. 32, no. 1 (fall 2007): 34–37.
Lotz, Corrina, ‘Scratch the Service’, in: A World to Win, online, 28.7.2007.
Darwent, Charles, ‘Tales from the City: Paris’, in: Art Review, no. 12 (June 2007): 48.
Williams, Stephen, ‘A Garden of Love’, in: African Business, no. 332 (June 2007): 72–73.
Cork, Richard, ‘In the Labyrinth: Garden of Love, Created Yinka Shonibare’, in: The Spectator, 12.5.2007: 52.
Wajid, Sara, ‘Yinka Shonibare at the Musée du Quai Branly’, in: darkmatter, online, 6.5.2007.
Harris, Gareth, ‘Art Is Not Lost in Political Maze’, in: The Independent, 3.5.2007.
Wajid, Sara, ‘The Frisson of Difference’, in: Museums Journal (May 2007): 20
Riding, Alan, ‘Britain Confronts Legacy of Slave Trade’, in: The New York Times, 20.3.2007: 1.
Satz, Aura, ‘Yinka Shonibare, MBE’, in: Tema Celeste, no. 120 (March–April 2007): 86–87.
Pool, Hannah, ‘Uncomfortable Truths’, in: V&A Magazine, no. 12 (spring 2007): 60–62.
Uglow, Jenny, ‘The Great Showman’, in: The Guardian, 13.1.2007: 12–13.
Davies, Serena, ‘Where Is the New Guernica’, in: Daily Telegraph, 9.1.2007: 23.
2006
Ebner, Jörn, ‘Die Einsamkeit der Tänzerin’, in: Frankfurter Allgemeine Zeitung, no. 303, 30.12.2006: 48.
Campbell-Johnston, Rachel, ‘Dandy in the Undergrowth’, in: The Times, 28.11.2005: 14–15.
Kessler, Sarah and Alexander Provan, ‘Inverted Commas’, in: Pitch Kentucky Arts & Culture, no. 2 (pre-fall 2006).
Castro, Jan Garden, ‘In Art Anything Is Possible’, in: Sculpture, vol. 25, no. 6 (July–August 2006): 21–27.
Kent, Sarah, ‘Travel Bugs’, in: Time Out London, 21.–28.6.2006: 39.
Chikukwa, Raphael and Michele Robecchi, ‘Yinka Shonibare, MBE’, in: Contemporary, no. 88 (2006): 34–37.
2005
Rosenberg, Karen, ‘Show and Tell: Yinka Shonibare’, in: New York Magazine, vol. 38, no. 36, 17.10.2005: 77.
Johnson, Ken, ‘A Sculptor from 2 Cultures Takes a Tour of Colonialism’, in: The New York Times, 14.10.2005.
Wilson, Michael, ‘Design Within Reach’, in: Artforum, online, 11.10.2005.
Picard, Charmaine, ‘MoMA Restocks its Contemporary Galleries’, in: The Art Newspaper, no. 162, 2.10.2005.
Downey, Anthony, ‘Yinka Shonibare’, in: BOMB, no. 93 (fall 2005): 24–31.
Smith, Roberta, ‘Wandering in a Forest of Poses’, in: The New York Times, 2.9.2005, 25.
Picton, John, ‘Undressing Ethnicity’ in: Cooper-Hewitt Design Journal (fall 2005), 8–11
Ponant, Pierre, ‘Vu (Seen)’, in: Beaux Arts Magazine, no. 254 (August 2005): 7–11.
Pollock, David, ‘Looking Both’ in: The List Magazine, 21.7.–4.8.2005: 91.
Baynard, Ed, ‘Going for Baroque’ in: Modern Painters (April 2005): 84–89.
Holmes, Pernilla, ‘Fabric of Society’, in: Spoon (March–April 2005), 23–24.
Sischy, Ingrid, ‘The Artist Formally Known for Prints’, in: The New York Times Style Magazine (spring 2005): 186–189.
Brownell, Ginanne and Sarah Sennott, ‘Front and Centre’, in: Newsweek, 14.2.2005.
Biro, Matthew, ‘Looking Both Ways: Art of the Contemporary African Diaspora’, in: Art Papers, 22.1.2005: 51.
Hudson, Mark, ‘Art that Gets to the Heart of Africa’, in: Telegraph, online, 22.1.2005.
Larsen, Lars Bang, ‘1000 Words: Yinka Shonibare Talks About ‘Un Ballo in Maschera’, 2004’, in: Artforum International, vol. 43, no. 5 (January 2005): 172–173.
Cork, Richard, ‘Art of Endurance’, in: New Statesman, online, 1.1.2005.
2004
Wright, Karen, ‘Gallery’, in: Modern Painters, vol. 17, Nno. 4 (December 2004–January 2005): 116.
Wullschlager, Jackie, ‘Outrage Is Just so Last Century’, in: The Financial Times, 1.12.2004: 13.
Kent, Sarah, ‘School of Baroque’, in: Time Out London, 24.11.–1.12.2004.
Januszczak, Waldemar, ‘Does the Turner Prize Annoy You? It Should’, in: The Sunday Times Culture, 7.11.2004: 6–7.
Glover, Michael, ‘Political Lessons à la Mode’, in: The Times, 20.10.2004.
Jones, Jonathan, ‘I Love Jeremy Deller’, in: The Guardian, 20.10.2004.
Giuliano, Charles, ‘Dressed for Success: Not Necessarily out of Africa’, in: NY Arts (October 2004).
Harper, Catherine, ‘Alien Nation’, in: Selvedge magazine, no. 2 (October 2004): 18–21.
Temin, Christine, ‘Africa Now’, in: The Boston Globe, 9.4.2004.
Pollack, Barbara, ‘Looking Both Ways: Art of the Contemporary African Diaspora’, in: ArtNews, vol. 103, no. 4 (April 2004): 120.
Downey, Anthony, ‘Yinka Shonibare in Conversation’, in: Wasafiri, no. 41 (spring 2004): 31–36.
Martin, Courtney, ‘Looking Both Ways’, in: Flash Art, vol. 37, no. 234 (February 2004): 57.
Stivers, Valerie, ‘The Game Show’, in: Time Out New York, 29.1.–5.2.2004.
Holert, Tom, ‘Yinka Shonibare: Museum Boijmans Van Beuningen’, in: Artforum, vol. 42, no. 5 (January 2004): 85.
Farrrell, Laurie Ann, ‘Re-dressing Power: The Art of Yinka Shonibare’, in: 2wice, vol. 7, no. 2 (2004): 82–89.
2003
Lack, Jessica, ‘Picks of the Week: Yinka Shonibare’, in: The Guardian, 15.12.2003.
Buck, Louisa, ‘The Dandy Highwayman Strikes Again’, in: The Art Newspaper, vol. 13, 142 (December 2003): 30.
Cotter, Holland, ‘An African Diaspora Show Asks: What Is Africanness? What Is Diaspora?’, in: New York Times, 21.11.2003: 34.
Griffin, Tim, ‘Global Tendencies: Globalism and the Large-Scale Exhibition’, in: Artforum, vol. 42, no. 3 (November 2003): 154–163, 206, 212.
Verdier, Évence, ‘Yinka Shonibare: Re-Stitching the Social Fabric’, in: Art Press, no. 288 (March 2003): 29–32.
Njami, Simon, ‘A Multiple Africa’, in: ARCO, no. 26 (spring 2003): 13–14.
2002
Holmes, Pernilla, ‘The Empire’s New Clothes’, in: Artnews (October 2002): 118–121.
Parker, Carol, ‘Off with their Heads!’, in: Art Review, vol. 54 (September 2002): 96–97.
Murray, Derek Conrad, ‘Yinka Shonibare: Studio Museum in Harlem, New York, January 2002’, in: NKA Contemporary African Art, vol. 16, no. 1 (fall–winter 2002): 110–111.
Shonibare, Yinka, ‘Yinka Shonibare’, in: Zoo, 13.6.2002, 56–57.
Pollack, Barbara, ‘The Short Century: Independence and Liberation Movements in Africa, 1945–94’, in: Art Monthly, no. 256 (May 2002): 23–25.
Weinstein, Jeff, ‘Yinka Shonibare: Studio Museum in Harlem’, in: Artforum, vol. 40, no. 9 (May 2002): 174–175.
Downey, Anthony, ‘Imposters’, in: Contemporary (U.K.), no. 4 (April 2002): 34–39.
Downey, Anthony, ‘Yinka Shonibare: Dorian Gray’, in: Wasafiri, vol. 35, no. 35 (spring 2002): 47–50.
Sirmans, Franklin, ‘When the Clothes Make the Man’, in: Time Out New York, 7.–14.2.2002: 49.
2001
Kennedy, Maev, ‘Prince Will Find Familiar Friends in Victorian Nudes as He Reopens Tate’, in: The Guardian, 30.10.2001: 13.
Wilson, Lucy, ‘Fine and Dandy’, in: (a–n) For Artists (October 2001): 26–27.
Birnbaum, Daniel, ‘Groans of Venice: The 49th Biennale’, in: Artforum, vol. 40, no. 1 (September 2001): 155–157.
Hynes, Nancy and John Picton, ‘Yinka Shonibare’, in: African Arts, vol. 34, no. 3 (autumn 2001): 60–73, 93–95.
Wilson, Andrew, ‘The Zones of Venice: Entering the Interzone’, in: Art Monthly, no. 248 (July 2001): 26–29.
Kent, Sarah, ‘Art Critic’s Choice’, in: Time Out, 9.–16.5.2001.
Güner, Fisun, ‘Art Review: Yinka Shonibare’, in: Metro, 26.4.2001.
2000
Kent, Sarah, ‘Yinka Shonibare: Camden Arts Centre Museum’, in: Time Out, 5.–12.7.2000.
Hubbard, Sue, ‘A Post-Colonial Look at Victorian Parlour Games’, in: The Independent, 2.7.2000.
Cameron, Dan, ‘Yinka Shonibare’, in: Journal of Contemporary African Art, vol. 11, no. 1, 21.6.2000: 118.
Cammbell-Johnston, Rachel, ‘That Bold Colonial Boy’, in: The Times, 21.6.2000.
1999
Oguibe, Olu, ‘Finding a Place: Nigerian Artists in the Contemporary Art World’, in: Art
Journal, vol. 58, no. 2 (summer 1999): 31–41.
Cotter, Holland, ‘Yinka Shonibare’, in: New York Times, 16.5.1999: 37.
Halle, Howard, ‘Just Dandy’, in: Time Out New York, 13.–20.5.1999.
Cameron, Dan, ‘Camera Chameleon’, in: ArtNews, vol. 98, no. 5 (May 1999): 148.
Ratnam, Niru, ‘Yinka Shonibare: Ikon Gallery’, in: Art Monthly, no. 225 (April 1999): 40–41.
Lynch, Fiona, ‘A Smiling Global Outlook’, in: Birmingham Post (March 1999): 53–55.
Halliburton, Rachel, ‘Why, Mr Darcy. You’re Black’, in: The Independent, 1.2.1999.
Brown, Neal, ‘Yinka Shonibare: Tablet Gallery’, in: frieze, no. 44 (January–February 1999): 88–89.
Hylton, Richard, ‘Yinka Shonibare: Dressing Down’, in: Third Text, vol. 13, no. 46 (1999): 101–103.
1998
Janus, Elizabeth, “Global Vision: New Art from the 90’s’: Deste Foundation Centre For Contemporary Art’, in: Artforum International, vol. 37, no. 3 (November 1998): 121.
Searle, Adrian, ‘B Is for Brit Art’, in: The Guardian, 6.10.1998: A10.
Hines, Nancy, ‘Africa by itself,’ in: Journal of Contemporary African Art, no. 9 (October 1998): 44–45.
Tozer, John, ‘Personal Effects’, in: Art Monthly, no. 220 (October 1998): 26–27.
Zaya, Octavio, ‘Yinka Shonibare: The Essential Inauthenticity of Reality’ in: Atlántica,
no. 19 (1998): 138.
1997
Enwezor, Okwui, ‘Yinka Shonibare: ‘The Joke Is on You”, in: Flash Art, vol. 30, no. 197 (November–December 1997): 96–97.
Cotter, Holland, ‘This Realm of Newcomers, This England’, in: New York Times Weekend, 4.10.1997: 33–36.
Enwezor, Okwui, ‘The Joke Is on You: The Work of Yinka Shonibare’, in: Nka: Journal of Contemporary African Art, vol. 6, no. 1 (summer–fall 1997): 10–11.
Stein, Judith E., ‘Assembling Africa’, in: Art in America, vol. 85, no. 5 (June 1997): 46–53.
Burrows, David, ‘Ade Adekola, Yinka Shonibare, Mark Wallinger’, in: Art Monthly, no. 203 (February 1997): 31–32.
Currah, Mark, ‘Ada Adekola, Yinka Shonibare, Mark Wallinger’, in: Time Out, 22.–29.1.1997.
Craddock, Sacha, ‘Review Piece: Documenta X’, in: The Times, no. 348, 14.1.1997.
1996
Enwezor, Okwui, ‘Occupied Territories: Power, Access and African Art’, in: frieze, no. 26 (January–February 1996): 37–41.
1995
Mercer, Kobena, ‘Art that is Ethnic in Inverted Commas: Yinka Shonibare’, in: frieze (November–December 1995): 38–41.
1994
Guha, Tania, ‘Yinka Shonibare: Double Dutch’, in: Third Text, vol. 8, 27 (1994): 87–90.
1993
Court, Elsbeth, ‘Review: Yinka Shonibare: Finalist, Barclays Young Artist Award’, in: African Arts, vol. 26, no. 1 (January 1993): 79–81.