Art | Basel, Three global artists reveal what it means to show at Art Basel, November

The Guardian, Material Worlds review – sculpture made of carpet fluff proves textile art is cool at last , October

The Art Newspaper, A bridge between worlds: Central Asia’s first private Modern and contemporary art museum to open in Kazakhstan, November

The Guardian, ‘Queer quilts, rebellious knitting and political pants: the radical world of textiles’, November

The Guardian, ‘An underlying stillness’: the Yinka Shonibare retreat where artists have space to grow and thrive, November

The New York Times, Three Leading British Artists Reflect on Frieze, and London, October

The Art Newspaper, With help from Lubaina Himid, Glenn Ligon and more, Frieze's Artist-to-Artist initiative is supporting new talent, October

The Standard, Artist Chris Levine on how his portrait of the Queen went global, what addiction taught him and shooting our art greats, October

Observer, Why London’s ‘Fourth Plinth’ Is Worth a Visit, October

Tatler Asia, August artists: Andy Warhol, Yinka Shonibare and others whose works redefined the world of arts, August

The Art Newspaper, ‘We want people to have fun’: Dulwich Picture Gallery’s director on the institution’s new sculpture park, August

Artnet, ‘Artworks on View During the UN General Assembly Challenge Diplomats—and You—to Imagine a Better Future’, August

Ocula, Art Project to Launch During UN General Assembly, August

Frieze Magazine, Artist-to-Artist: Nengi Omuku Selected by Yinka Shonibare CBE, July

Financial Times, Six must-see summer art installations, July

Galeria Magazine, Yinka Shonibare Explores Colonization, Environmental Themes in Bold Exhibition, July

The Art Newspaper, ‘Green is the new black | Yinka Shonibare’s Serpentine show reveals what cultural exchange can do for the climate crisis’, July

Whitewall, ‘Restitution and Reflection: Yinka Shonibare Challenges Colonial Legacies’, July

Ocula, Who’s Showing in Frieze London’s Artist-to-Artist Section?, June

Observer, Frieze London and Frieze Masters Announce 2024’s Participating Galleries and Programming, June

STIRworld, Yinka Shonibare CBE considers entwined postcolonial identities in ‘Suspended States', June

FAD Magazine, Sculptures by Yinka Shonibare + Li Li Ren arrive at Dulwich Picture Gallery, May

The Spectator, Beguiling: Yinka Shonibare, at the Serpentine Galleries, reviewed, May

FAD Magazine, Yinka Shonibare talks to Camille Moreno about his new show 'Suspended States', April

Architectural Digest, Inside Artist Yinka Shonibare’s Lagos Retreat for Creatives, April

Channel 4, ‘Benin Bronzes should be returned’ to Nigeria, says artist Yinka Shonibare, April

The New York Times, In the Nigeria Pavilion, criticism meets optimism, April

The Guardian, A lost astronaut, looted treasure and a hit naked Turk: the 60th Venice Biennale – in pictures, April

The Standard, Yinka Shonibare: I think it’s fundamental that art can be a space for reflection, April

Esquire, The Decoloniser: Yinka Shonibare on his new Serpentine exhibition, April

FAD Magazine, Yinka Shonibare's first solo institutional exhibition in over 20 years, April

Time Out, Yinka Shonibare CBE: ‘Suspended States’, April

Sky News, 'We should not erase history': Yinka Shonibare on his new exhibition and the impact of imperial ambition, April

The Standard, Yinka Shonibare: Suspended States at Serpentine South review – beautiful, alluring and disquieting, April

The Guardian, Yinka Shonibare CBE review – where Churchill finds his inner psychedelic dandy, April

Financial Times, Yinka Shonibare’s show Suspended States: ‘Art should operate on different sensory levels’, April

Apollo, Yinka Shonibare: Suspended States, April

FAD Magazine, Yinka Shonibare Solo Exhibition of New & Recent Works to Open at Serpentine South, February

ArtIvist, Yinka Shonibare: Suspended States Explores Boundaries and Histories At The Serpentine, February

The Standard, Yinka Shonibare: "The argument that things are safer at The British Museum is a little bit shaky now", April

The Art Newspaper, Nigerian Pavilion at Venice Biennale 2024 to address looting of Benin Kingdom, February

The Independent, The Royal Academy reckons with its history in Entangled Pasts, 1768–now: Art, Colonialism and Change, January

The Times, Yinka Shonibare review – a colourful look at a colonial past, April

Financial Times, Entangled Pasts, Royal Academy review — a triumphant and surprising showcase of black art, January

Financial Times, London’s art scene in buoyant mood as Frieze fairs return, October

Ocula, London Shows We’re Looking Forward to in 2024, January

The Art Newspaper, A Call to Action: 2024 Venice Biennale to feature more than 300 Artists with Focus on Indigenous and Queer Figures, January

The Guardian, ‘Embrace the Unexpected’: African Art Boosts its Presence at Venice Biennale,‘Embrace the Unexpected’: African Art Boosts its Presence at Venice Biennale, December

BBC News, Leeds: David Oluwale Flower Sculpture Unveiled in City Centre, November

Art Review, Power 100, December

The Guardian, ‘This is Going to be Our Angel of the North’: Leeds Unveils Yinka Shonibare Sculpture, November

Frieze, Yinka Shonibare Invites A Community of Artists to London, October

The New York Times, An Artist Pushes Back Against Cultural Colonialism, October

BBC News: Witness History, Yinka Shonibare: Nelson's Ship in a Bottle, October

Apollo Magazine, Frieze Week Highlights: West African Masks and New York Bohemia, October

Colossal, In Two Major Exhibitions, Yinka Shonibare CBE RA Celebrates African Aesthetics and Cultural Hybridity, October

Lux Magazine, Frieze Artist Yinka Shonibare Uncovered, October

ArtNews, A Vibrant Nigerian Community in London Gets the Tribute It Deserves with a Show About Personal Journeys, October

Evening Standard, My London: Yinka ShonibareMy London: Yinka Shonibare, October

FT, London’s Art Scene in Buoyant Mood as Frieze Fairs Return, October

The Art Newspaper, A Brush With... Yinka Shonibare, September

Artnews, Second-Ever Nigerian Pavilion at Venice Biennale Will Feature Yinka Shonibare, Precious Okoyomon, Toyin Ojih Odutola, and More, July

The Art Newspaper, Yinka Shonibare and Toyin Ojih Odutola Among Artists Selected for Nigeria's Venice Biennale 2024 Pavilion, July

The Guardian, Lagos, Peckham, Repeat Review – Yoruba Culture and Musical Craft Beer, July

The Art Newspaper, Epic Drama: Six of the Best Works in Art Basel's Unlimited Section for Large-Scale Art, June

Printmaking Today, The Best Way to be Alive, June

Ocula Magazine, The Admirable Ambitions of Yinka Shonibare CBE, January

Art Throb, Self and Soul: An Interview with Yinka Shonibare CBE RA, November

The Art Newspaper, Yinka Shonibare's Ecological Farm Residency in Nigeria Launches Ahead of Biggest-ever Art X Lagos Fair, November

Artnet, Nearly 100 Artist-Designed Globes Will Land in London’s Trafalgar Square This Weekend to Teach the Public About the History of Slavery in the U.K., November

This Day Style, Yinka Shonibare: Authentic, November

This Day, In Festive Ambience of Art X Lagos, Yinka Shonibare Anchors His Legacy, November

Crafts Magazine, Narrative Threads, October

Harper's Bazaar, Inside the Powerful New Art Initiative Spearheaded by Yinka Shonibare, October

Mail & Guardian, Yinka Shonibare Celebrates Africa’s Contribution to Modernism, September

BBC News, Leeds: First Look at David Oluwale Memorial Sculpture, September

Wallpaper, The World Reimagined Revisits the History of the Transatlantic Slave Trade Through Art, July

Cultbytes, Yinka Shonibare Loves a Paradox, June

Cultbytes, A Swedish Royal Foundation Presents Work by Yinka Shonibare in Open-Air Sculpture Park, May

The Art Newspaper, Anderson Ranch Arts Center to Honour Yinka Shonibare with Annual International Award, April

Forbes, The Hibiscus And The Rose, Yinka Shonibare CBE Duality On View At Frederik Meijer Gardens & Sculpture Park, April

Wallpaper, Yinka Shonibare and India Mahdavi Reimagine The Gallery Restaurant at Sketch, March

Wallpaper, Earth Brick Barn House is Yinka Shonibare’s Hub of Creativity in Nigeria, March

Time Out, Sketch’s Iconic Restaurant Has Been Given an Arty Redesign, March

House & Garden, Sketch’s New Gallery Redesign Courtesy of India Mahdavi and Yinka Shonibare is Now Open, March

Condé Nast Traveller, Sketch has Redesigned its Iconic Pink Dining Room, March

The Spaces, London’s Sketch Says Goodbye to Pink with New Interiors by India Mahdavi and Yinka Shonibare, March

Artnet, Yinka Shonibare Just Opened an Ambitious, Years-in-the-Making Residency Program for Artists in Nigeria, March

The Art Newspaper, Yinka Shonibare Unveils Project Focused on The Great Migration, February

CNN, Black Artists Highlight How the Trauma of Empire Still Echoes in Britain, January

Elle Decoration, My Cultural Life: Yinka Shonibare, November

Frieze, How Yinka Shonibare Is Helping Invigorate Diversity in the Arts, October

The National News (UAE), British Artist Yinka Shonibare’s Expo 2020 Dubai Sculpture Tells the Story of Colonialism, September

The Guardian, This Has Never Been So Much Fun: Royal Academy Summer Exhibition Review, September

The Evening Standard, Royal Academy Summer Exhibition 2021 Review: Exuberance Abounds, September

The Times, Summer Exhibition Review: The Royal Academy Celebrates Ingenuity and Optimism, September

The Telegraph, Royal Academy Summer Exhibition 2021 Review: A Bold and Refreshing Takeover, September

It’s Nice That, Yinka Ilori in Conversation with Yinka Shonibare, June

The Guardian, Cultural Appropriation is a Two-way Street: Yinka Shonibare on Picasso, Masks and the Fashion for Black Artists, June

The Art Newspaper, Yinka Shonibare, An Art Icon with a Sardonic Twist, May

The Observer, Yinka Shonibare: You Don’t Want the Next Generation to be Full of Hate, March

The Times, From Ships in Bottles to Dress-Up Fantasies: Britain’s New Art Icon, March

The Guardian, Yinka Shonibare to Create Leeds Memorial for Nigerian Who Died After Police Harassment in 1960, January

The Art Newspaper, So We’re Bringing Down Statues – But What Kind of Monuments Would We Like to See Instead?, July

BBC, How UK Museums Are Responding to Black Lives Matter, June

The Telegraph, Yinka Shonibare Interview: No Amount of Money Can Compensate for the Damage Done by Slavery, June

Colossal, Globes and Astronaut Helmets Form Heads of Figurative Sculptures by Yinka Shonibare CBE, June

Apollo, The Wit and Wisdom of Yinka Shonibare, May

The Guardian, Yinka Shonibare: I See What’s Happening as An African Renaissance, January

Contemporary And (C&), G.A.S. Foundation: Yinka Shonibare Announces New Artist Residency in Nigeria, January

Hyperallergic, Imagining Utopia, Just Over the Horizon, December

Art UK, On Sculpture, Elitism and Brexit: The Art of Yinka Shonibare, September

Hyperallergic, Yinka Shonibare Restages the Trauma of the Gilded Age, April

Cultured Mag, Yinka Shonibare Explores Immigration & Personal Narrative, April

Wallpaper, Yinka Shonibare’s Stirring New Textile Works Put Hereford on The Map, January

Evening Standard, Tacita Dean, Yinka Shonibare and Gillian Wearing awarded New Year’s Honours 2019, December

Chicago Tribune, Contemporary Art by People of Color Will Explore Beauty and Inequality at the Driehaus Museum, November

The Magazine Antiques, Contemporary Art Confronts the Gilded Age at the Driehaus, November

Contemporary And (C&), In Conversation with Yinka Shonibare MBE: Metaphors for Humanity, September

Art Africa, Unbottling the Artist: Nolan Stevens in Conversation with Yinka Shonibare MBE, August

Culture Type, Yinka Shonibare Wrapped more than 200 Books in African Textiles, His ‘American Library’ Is Designed to Start a Conversation About Immigration, August

The Independent, Yinka Shonibare on his New Show Celebrating African Art: Some Kind of Global African Solidarity Is Necessary, June

The New York Times, It’s Time for African Resistance, This Artist Says, June

Wallpaper, Yinka Shonibare Steps into the Curator’s Seat with a Sharp Survey of African Art, June

Culture Trip, Understanding the World of Artist Yinka Shonibare, May

Time Out, See Yinka Shonibare’s Colorful Wind Sculpture in Central Park, March

The Guardian, Yinka Shonibare: Behind the Artist’s New Central Park Sculpture, March

Hyperallergic, I’m the Opposite of Donald Trump: Yinka Shonibare on his New Public Sculpture in NYC, March

Vogue, Yinka Shonibare’s Alternative Monuments Arrive in Central Park, March

Artforum, Yinka Shonibare MBE Talks About Wind Sculpture (SG) I, His Forthcoming Project with The Public Art Fund in New York, March

Financial Times, Yinka Shonibare: I Don’t Believe in Putting up Borders, December

Art UK, Yinka Shonibare: Poetic, Political Artist, October

Shadow and Act, Defining ‘Blackness’ Series: Artist Yinka Shonibare Addresses *Authenticity* in Black Art, April

Art News, For Yinka Shonibare, Possession Is a Function of Economic and Social, March

Artnet News, Gallery Hopping: A Powerful Pro-Immigrant Message in Yinka Shonibare’s ‘British Library, March

Hyperallergic, Yinka Shonibare MBE Navigates Prejudice and Dual Identity, March

Artnet News, 11 Gallery and Museum Shows Across the Country to See in Honor of Black History Month, February

The Culture Trip, Colonialism and Cultural Hybridity: An Interview with Yinka Shonibare MBE, January

Contemporary And (C&), 2016 in Review: The Year in Art for Nigeria and Africa: Our Author Bukola Oye Looks Back at the Highlights from the Past 12 Months..., December

Washingtonian, The National Museum of African Art is About to Have an Amazing Sculpture Outside, November

The Japan Times, Opposing Today’s Rising Intolerance, November

The New York Times, Art as a Means of Fighting Prejudice, October

OkayAfrica, A Conversation with Ato Malinda and Yinka Shonibare MBE on Exploring Identity in African Art, October

The Evening Standard, Artist Yinka Shonibare on Pushing the Boundaries of Art and a New Fashion for Building Walls, September

The Telegraph, Yinka Shonibare: In the Studio, June

The Irish Times, I thought I Was a Republican until I Went to Buckingham Palace, May

Artlyst, Yinka Shonibare: End of Empire, Conflict and Dominion at Turner Contemporary, March

RA Magazine, In the Studio with Yinka Shonibare RA, February

The Irish Times, Visual Art Round-up: Yinka Shonibare’s Headless Mannequins, March

Popspoken, Yinka Shonibare Revisits Childhood Memories in Singapore Showcase, January

The Independent, Yinka Shonibare Interview: The Migrant Crisis Makes Me Want to Make More Beautiful Things, October

The New Yorker, Go See Yinka Shonibare at the Morris-Jumel Mansion This Weekend, August

New York Times Style Magazine, A Picture and A Poem: Of Darkness and Light, June

Harlem World Magazine, Yinka Shonibare MBE at the Morris-Jumel Mansion, June

Hyperallergic, Yinka Shonibare MBE Manifests the Ghost of Manhattan’s Oldest House, May

The Wall Street Journal, Eliza Jumel’s Ghost Shows Up in ‘Yinka Shonibare MBE: Colonial Arrangements', April

The Guardian Art Weekly, Yinka Shonibare’s Sculptures Land in London – The Week in Art, March

The Independent, Yinka Shonibare: Class Act with a Dash of Gallows Humour, February

ARTspace, Yinka Shonibare MBE on Art, Africa, and why He’s so Fond of the Queen, December

Museum Geographies, Yinka Shonibare MBE’s 'Garden of Love' at Musée du quai Branly, August

Frieze, Yinka Shonibare MBE, May

Contemporary And (C&), Looking Back I: Authentic/Ex-Centric: Africa In and Out of Africa at the 49th Venice Biennale, May

Metro, Yinka Shonibare: The Bansky of Sculpture on his Split Personality, February

FAD Magazine, Preview: Yinka Shonibare POP!, February

The Guardian, Deloitte Ignite Africa Weekend – Review, September

The Independent, In the Studio: Yinka Shonibare, Artist, June

Artlyst, Yinka Shonibare New Ballerina Sculpture Debuts at Opera House, June

The Guardian, Yinka Shonibare's Ballerina Twirls into Action Above Covent Garden, June

Artnet, Bringing the West to the East, May

The Guardian, Yinka’s Ship Goes on Permanent Display in Greenwich, April

Art & Architecture Journal, Yinka Shonibare: Nelson’s Ship in a Bottle, February

The Arts Desk, Cotton: Global Threads, Whitworth Art Gallery, April

The Huffington Post, Yinka Shonibare MBE: Addio del Passato, February

Art Critical, Yinka Shonibare MBE: Post-Colonial Mixologist, February